Henri Rousseau
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"When I go out into the countryside and see the sun and the green and everything flowering, I say to myself, ‘Yes indeed, all that belongs to me, since I adore it!"
Henri Rousseau: A Primitive Modernist
Early Life and Artistic Beginnings
Henri Rousseau, born on May 21, 1844, in Laval, France, was a self-taught painter who began his artistic career later in life. Originally working as a toll and tax collector, Rousseau retired in 1893 to focus fully on his painting. Despite having no formal artistic training, Rousseau was passionate about art, teaching himself by studying works in galleries, reading about art, and receiving advice from established artists. His early works were often criticized for their childlike simplicity and unconventional techniques, but Rousseau’s unique perspective and dedication to his art remained undeterred.
Artistic Contributions & Style
Rousseau is best known for his vivid and imaginative jungle scenes, although he never left France and derived his inspirations from illustrations, botanical gardens, and taxidermied animals. These fantastical paintings, characterized by their dream-like quality and meticulous attention to detail, contrast sharply with the traditional European approach to landscape and figure painting. Rousseau’s style, often described as Naïve or Primitive, emphasized bold colors, straightforward compositions, and a sense of magical realism that prefigured and influenced the Surrealist movement.
Legacy and Influence
Henri Rousseau’s impact on the art world has grown substantially since his death in 1910. Initially ridiculed, his work later earned the admiration and respect of avant-garde artists like Picasso, who once threw a banquet in his honor famously calling Rousseau a "great primitive." Today, Rousseau is celebrated for his unique ability to blend reality and fantasy, his influence visible in the works of many Surrealist and Modern artists. His paintings continue to enchant audiences with their surreal beauty and remain pivotal in discussions on the self-taught approach to art and the breaking of traditional boundaries in artistic expression.
Additional pieces by Henri Rousseau
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The Sleeping Gypsy (La Bohémienne endormie) (1897)
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The Eiffel Tower (1898)
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The Banks of the Bièvre near Bicêtre (ca. 1908–09)
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Study for View of the Pont de Sèvres (Esquisse pour Vue du Pont de Sèvres) (1908)
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